Sappho Essay Example

Sappho Essay Example Sappho Essay Sappho Essay Island of Losses Summary of Introduction (Peg. 1 1) World Literature; An Anthology of Great Short Stories, Poetry, and Drama The introduction introduces a life of a young poet named Shop. Shop was known as being, Among the earliest known female lyric poets. Sapped poems were composed of detailed material which was recognized by the Greek Philosopher Plato. On the island of Losses, in the town of Eros, Shop was born to an aristocratic family. Following the death of her father, Shop continued to live her life with the aristocratic in her mothers inborn town, Imminent. Later in life, Shop had a daughter and they set their home in Syracuse, Sicily during, a period of political turbulence. The lyric poetry used by Shop was not something that was originally written in her time era. Most poetry was, passed from poet to poet with the goal of keeping the work intact and distinct from the poet who was reciting it. Because of the time era Shop was living in, she was able to keep her poetry distinct and made in her own identity. In most of her poetry Shop was freely influenced by the native folk songs, giving it a personal feel. Shop was the leader and teacher of a group of women and girls from aristocratic families. Because of this, she wrote most of her poetry for them and read it to them during their privileged meetings. Along with the native folk songs contributing to her poetry, her, Family, friends, and feelings, added to the sincerity of her poems. Most of Sapped poems did not survive. Most of the ones that survived are parts of poems found in Egypt. This poem, To an Army Wife, in Saris, is only one of two full poems found to this day. To an Army Wife, in Saris By: Shop Some say cavalry corps, mom infantry, some, again, will maintain that swift oars of our fleet are the finest that whatever one loves, is. This is easily proved: did not Helen she who had scanned the flower of the worlds manhood choose as first among men one who laid Troys honor in ruin? Warped to his will, forgetting love due her own blood, her own child, she wandered far with him. So Inactions, although you being far away forget u s, the dear sound of your footstep and light glancing in your eyes would move me more than glitter of Lydia horse or armored tread of mainland infantry. Understanding the Poem: . Reread the introductory material and then consider the following possibilities: (a) Shop is writing to a friend who is off with her husband in Saris (a city in the ancient kingdom of Lydia, in what is now Turkey); (b) a soldier, away on a tour of duty is writing to his wife back home. Who do you think is the speaker of this poem? Is it important to know who the speaker is? The speaker is a soldier away on a tour of duty, writing to his wife back home. It is very important to know who the speaker of their point of view. It helps give them a voice. 2. Why does the speaker mention the pinions of others (Some say) as well as his or her own opinions? Because this person sees their opinions as important as their own opinions and that it is important to see their point of view on things, Just like their own point of view on things is important to themselves. 3. To what extent, if any, do you think that Inactions has forgotten the speaker? To a small extent has Inactions forgotten the speaker. He is her husband whom went against the will of their parents with her. Forgetting who he is, is merely impossible. Analyzing Literary Technique: 1 . How does Shop appeal to the senses in this poem? What advantage do you find in her approach? Most of the word choices in Sapped poem Whelp the reader understand what they are reading with their senses. For example in line 14 it says she wandered far with him. It gets you to use your sense of sight. Because it gives you an image of what you are reading. By using senses in the poem it gives the reader a help in understanding in what she is trying to explain. 2. What is the function of contrast in this poem? Contrast is used not in exactly in the words she has written. For example dog is to car. The contrast that is in this poem is in the thoughts f the family members of this husband and wife. The parents are not in favor of them getting married, so their thoughts contrast with the thoughts of their children. 3. What does Sapped use of apostrophe contribute to the poem? By using apostrophe, it gives the reader the feeling of missing someone who is not there. In this case the man who is at war is missing his wife back home who, in his life at the moment, is missing. 4. Why does the narrator make an allusion to Helen of Troy? That way the reader can understand where this may be taking place and the time setting. Writing About Literature: 1 . Sapped attitude towards Helen of Troy is despite. She writes as if she despises what she has done and what could happen in the future. In a sense, Shop does treat her analysis of Helen of Troy fairly. What Helen of Troy did was not something that most approved of. So I think in Sapped defense, what she is saying about her is truly fair. The feelings that Shop is suggesting between Helen and Inactions is, Shop is giving the voice of the poem the feelings about Inactions, that Shop has about Helen of Troy. 2. Dear Friend, Im sorry I had to leave you. There are so many more things in this world, and with oh being gone, I had the feeling that I needed to explore it. The war that has possessed you, has possessed you completely. You were never my own, once you left. I have great memories of you. Going against everything my parents had said and marrying me anyway. How unbelievable. But this world is much fuller of experiences than I could have ever imagined, hence the reason I left. I have been searching for the things of this new world I am discovering and I hope you will understand. Yours Truly, Inactions Connotation: The attitudes and feelings associated with a word. These associations an be negative or positive, and have an important influence on style and meaning. The word love has a difference of feelings in the poem. It is happy and Joyful and then turns to sadness and sorrow. Figurative Language: Language that communicates ideas beyond the ordinary or literal meaning of the words. The word fleet in the poem is not known as a ship, it is known as the strong army. Onomatopoeia: The use of a word whose sound suggests its meaning. The word swift in the poem sounds like something that moves quickly. Swift does mean quickly or fast moving. But when re-reading the top of the poem its gives you clues in being bled to come to the conclusion that fleet meaner Army or Military. 12. R. 2. 1 (Evaluation) Students can evaluate how style affects the meaning of text. Most of what is used in the poem is imagery. It helps give you the image off man at War, writing to his lover back home. Other parts of the poem give you the image of someone returning home, a friend missing another, and the light glancing in someones eyes. 12. R. 3. 1 (Analysis) Students can analyze text for the authors style. The author uses a melancholy style of writing, by showing one lover leaving another. As written in the mom, She wandered far with him And the line, Being far away Gives you the sad feeling that is portrayed. 12. R. 4. 1. (Evaluation) Students can evaluate the depiction of human experience in literary works from diverse cultures, locations, and time periods. The time period is in Ancient Greek times. It shows this by having a lovers vendetta with the parents. This poem is kind of similar to the story line of Romeo and Juliet. By knowing that this was similar to Romeo and Juliet, it did help with knowing the time line and what could be happening at that moment.

Why We Selfie -- the Sociological Perspective

Why We Selfie the Sociological Perspective In March  2014,  Pew Research Center  announced that  over a quarter of Americans have shared a selfie online. Unsurprisingly, the practice of photographing oneself and sharing that image via social media  is most common among Millennials, aged 18 to 33 at the time of the survey: more than one in two has shared  a selfie. So have nearly a quarter of those classified as Generation X (loosely defined as those born between 1960 and the early 1980s). The selfie has gone mainstream. Evidence of its mainstream nature is seen in other aspects of our culture too. In 2013 selfie was not only added to the Oxford English Dictionary  but  also  named Word of the Year. Since late January  2014, the music video for #Selfie by The Chainsmokers has been viewed on YouTube over 250 million times. Though recently canceled, a network television show focused on a fame-seeking and image conscious woman  titled Selfie debuted in the fall of 2014. And, the reigning queen of the selfie, Kim Kardashian West, debuted in 2015  a collection of selfies in book form,  Selfish. Yet, despite the ubiquity of the practice and how many of us are doing it (1 in 4 Americans!), a pretense of taboo and disdain surrounds it. An  assumption that sharing selfies is or should be embarrassing runs throughout  the  journalistic and scholarly coverage on the topic. Many  report on the practice  by noting the percentage of those who admit to sharing them. Descriptors like vain and narcissistic inevitably become a part of any conversation about selfies. Qualifiers like special occasion,  beautiful location, and ironic are used to justify them. But, over a quarter of all Americans are doing it, and more than half of those between the ages of 18 and 33 do it. Why? Commonly cited  reasons vanity, narcissism, fame-seeking are as shallow as those who critique the practice suggest it is. From  the sociological perspective,  there is always more to a mainstream cultural practice than meets the eye.  Lets use it  to dig deeper into the question of why we selfie. Technology Compels Us Simply put, physical and digital technology makes it possible, so we do it. The idea that technology structures the social world and our lives is a sociological argument as old as Marx, and one oft repeated by theorists and researchers who have tracked the evolution of communication technologies over time. The selfie is not a new form of expression. Artists have created self-portraits for millennia,  from cave to classical paintings, to early photography and modern art. Whats new about todays selfie  is its commonplace nature  and  its ubiquity. Technological advancement  liberated the self-portrait  from  the art world and gave  it to the masses. Some would say that those  physical and digital technologies  that allow  for the selfie act  upon us  as a form of technological rationality, a term coined by critical theorist Herbert Marcuse in his book  One-Dimensional Man. They exert a rationality of their own which shapes how we live our lives.  Digital photography, front-facing cameras, social media platforms, and wireless communications begat a host of expectations and norms which now infuse our culture. We can, and so we do. But also, we do because both the technology and our culture expect  us to. Identity Work Has Gone Digital We are not isolated beings living strictly individual lives.  We are social beings who  live in societies, and as such, our lives are fundamentally shaped by social relations with other people, institutions, and social structures. As photos meant to be shared, selfies are not individual acts; they are social acts. Selfies, and our presence on social media generally, is a part of what sociologists David Snow and Leon Anderson describe as identity work the work that we do on a daily basis to ensure that we are seen by others as we wish to be seen. Far from a strictly innate or internal process, the crafting and expressing of identity has long been understood by sociologists as a social process. The selfies we take and share are designed to present a particular image of us, and thus, to shape the impression of us held by others. Famed sociologist Erving Goffman  described the process of impression management in his book  The Presentation of Self in Everyday Life. This term refers to the idea that we have a notion of  what others expect of us, or what others would consider a good impression of us, and that this shapes how we present ourselves. Early American sociologist Charles Horton Cooley described the process of crafting a self based on what we imagine others will think of us as the looking-glass self, whereby society acts as a sort of mirror to which we hold ourselves up. In the  digital age, our lives are increasingly projected onto, framed by, and  filtered  and lived through social media. It makes sense, then, that identity work takes place in this sphere. We engage in identity work as we walk through our neighborhoods, schools, and places of employment. We do it in how we dress and style ourselves; in how we walk, talk, and carry our bodies.  We do it on the phone and  in written form. And now, we do it in email, via text message, on Facebook, Twitter, Instagram, Tumblr, and LinkedIn. A self-portrait is the most obvious visual form of identity work, and its socially mediated form, the selfie, is now a common, perhaps even necessary form of that work. The Meme Compels Us In his book, The Selfish Gene,  evolutionary biologist Richard Dawkins offered a definition of the meme that became deeply important to cultural studies, media studies, and sociology. Dawkins described the meme as a cultural object or entity that encourages its own replication. It can take musical form, be seen in styles of dance,  and manifest as fashion trends and art, among many other things. Memes abound on the internet today, often humorous in tone, but with increasing presence, and thus  importance, as a form of communication. In the pictorial forms that fill our Facebook and Twitter feeds, memes pack a powerful communicative punch with a combination of repetitious  imagery and phrases. They are densely laden with symbolic meaning. As such, they compel their replication;  for, if they were meaningless, if they had no cultural currency, they would never become a meme. In this sense, the selfie is very much a meme. It has become a normative thing that we do that results in a patterned and repetitious way  of representing ourselves. The exact style of representation may vary (sexy, sulky, serious, silly, ironic, drunk, epic,  etc.), but the form and general content an image of a person or group of people who fill the frame,  taken at arms length remain  the same. The cultural constructs that we have collectively created shape how we live our lives, how we express ourselves, and who we are to others. The selfie, as a meme, is a cultural construct and a form of communication now  deeply infused into our daily lives  and loaded with meaning and social significance.